HERITAGE IS WHAT’S PASSED DOWN FROM PREVIOUS GENERATIONS —
TANGIBLE THINGS LIKE BOOKS, TOOLS, ARTWORKS, AND BUILDINGS,
AS WELL AS INTANGIBLE ONES LIKE KNOWLEDGE, TRADITIONS,
SKILLS, AND VALUES. IT’S THE THREAD THAT CONNECTS PAST,
PRESENT, AND FUTURE, SHAPING BOTH IDENTITY AND CULTURE.
FOR ME, HERITAGE LIVES IN THE CRAFT, THE MATERIALS, THE
WORKSHOP I GREW UP IN, AND THE BELIEF IN PASSING KNOWLEDGE
FORWARD. IT’S FOUND IN THE PHYSICAL ACT OF MAKING, BUT ALSO
IN THE DEEPER MEANING BEHIND IT — THE CONTINUATION OF
SOMETHING GREATER THAN ANY ONE PERSON.
ROOTED IN THE ENVIRONMENT I WAS RAISED IN AND GUIDED BY THE
PASSIONS I DISCOVERED ALONG THE WAY, MY OWN BRAND IS
FINALLY BEGINNING TO TAKE SHAPE. MORE TO COME SOON.

BOOKSTAND NO.1 —
VESSEL OF KNOWLEDGE. STRUCTURE OF
LEGACY.
ITS FORM IS UNAPOLOGETICALLY STRONG.
CUT, BENT, AND ASSEMBLED FROM 2MM
320-GRIT STAINLESS STEEL, THE STAND
DRAWS AESTHETIC AND STRUCTURAL
INSPIRATION FROM MILITARY AND MARINE
ENGINEERING. THE CIRCULAR
PERFORATIONS ALONG ITS FLANKS RECALL
PSP (PIERCED STEEL PLANKING) — THE
STEEL MATS USED TO BUILD RUNWAYS AND
ROADS IN THE FIELD. FUNCTIONAL,
EFFICIENT, AND ICONIC, THEY REPRESENT
A KIND OF TOUGHNESS THAT TRANSCENDS
TIME.
THE INTEGRATED EYE BOLT AND CARABINER
ARE NOT ORNAMENTAL. THEY ARE BORROWED
FROM MARINE AND INDUSTRIAL RIGGING
SYSTEMS — MEANT FOR QUICK DEPLOYMENT,
BUILT TO ENDURE PRESSURE AND
CORROSION, AND REPURPOSED HERE TO
GROUND THE PIECE IN A LANGUAGE OF
READINESS AND RESILIENCE.
AT THE REAR, A SINGLE ACCENT
PUNCTUATES THE STEEL: THE STUDIO’S
PRODUCT TAG IN 3020 SIGNAL RED. THIS
FLASH OF COLOR CUTS THROUGH THE
MATERIAL HONESTY LIKE A WARNING LIGHT
OR AN EMERGENCY SIGNAL — A DELIBERATE
DISRUPTION, A SIGNATURE OF INTENT.
THIS BOOKSTAND HOLDS MORE THAN BOOKS.
IT HOLDS PRESENCE. IT ELEVATES THE
OBJECT PLACED UPON IT, FRAMING
KNOWLEDGE AS SOMETHING TO BE
DISPLAYED, HONORED, AND PASSED ON.
THIS IS THE FIRST EDITION. A
STATEMENT PIECE. A VESSEL OF ITS OWN.

STOOL NO.2 —

Casted seat on stool made of 320 grid 3MM bended stainless steel COMING SOON